{"id":2356,"date":"2021-11-01T15:31:59","date_gmt":"2021-11-01T15:31:59","guid":{"rendered":"https:\/\/www.woas-fm.org\/?p=2356"},"modified":"2021-11-01T15:39:00","modified_gmt":"2021-11-01T15:39:00","slug":"ftv-organ-fairchild","status":"publish","type":"post","link":"https:\/\/www.woas-fm.org\/?p=2356","title":{"rendered":"FTV:  Organ Fairchild"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0We recently received a CD entitled <\/span><i><span style=\"font-weight: 400;\">Brewed In Buffalo<\/span><\/i><span style=\"font-weight: 400;\"> by a guitar \/ organ \/ drum trio called Organ Fairchild.\u00a0 I am betting the title might give you a hint as to where they hail from.\u00a0 It only took a few emails (one with an\u00a0 attached teaser track) sent by guitarist Dave Ruch to get me interested in what they do.\u00a0 When we finally aired the whole CD a couple of weeks ago, I sent him a brief \u2018Thanks for the great CD\u2019 email.\u00a0 Dave responded by sending yet another link, this one to an article about them by Jeff Miers from <\/span><i><span style=\"font-weight: 400;\">The Buffalo News <\/span><\/i><span style=\"font-weight: 400;\">(October 14, 2021).\u00a0 Miers has been <\/span><i><span style=\"font-weight: 400;\">The News\u2019<\/span><\/i><span style=\"font-weight: 400;\"> Music Critic and columnist since 2002 and also runs the paper\u2019s monthly live music \/ discussion series, <\/span><i><span style=\"font-weight: 400;\">Gusto Vinyl Happy Hour.<\/span><\/i><span style=\"font-weight: 400;\">\u00a0 Miers\u2019s article gave me a nice introduction to Organ Fairchild and there is nothing I love more than new music coupled with the backstory of how a band came together.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0Organ Fairchild\u2019s origin story begins when Ruch, drummer Corey Kertzie and keyboard player Joe Bellanti performed together as the Wild Knights while in high school.\u00a0 Ruch and Bellanti attended Williamsville South while Ketzie came out of Sweet Home HS.\u00a0 According to Miers, \u201c[The White Knights were]\u00a0 a virtuosic jam-based ensemble \u2026 who became a popular draw in the late 1980s and the early \u201890s, but eventually, the band members drifted into other areas of musical interest.\u201d\u00a0 Ruch spent the next twenty years performing as an acoustic muisician immersed in folk and roots music.\u00a0 In 2017, he found his passion for the electric guitar again, almost by accident.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0Ruch told Miers, \u201cI hired a band for my wife\u2019s 50th birthday and at the last minute, the guitar player couldn\u2019t make the gig.\u00a0 The band was about to cancel, so rather than disappoint her, I pulled my old Fender Stratocaster and Deluxe Reverb amp out of the closet and filled in for the night.\u00a0 My love for playing electric guitar and rock \u2018n\u2019 roll music was rekindled that night, and I haven\u2019t stopped since.\u201d\u00a0 So how did the former White Knights reconvene as Organ Fairchild?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0Fellow musician and friend Dave Thiel hired the three veterans of the local music scence to support him for a gig.\u00a0 Thiel left the stage after they had done their soundcheck.\u00a0 The three old bandmates hung around, jamming and improvising some tunes.\u00a0 This was the seed from which Organ Fairchild sprouted, a band which Mier describes as, \u201cOne of the most vital new bands on Buffalo\u2019s original music scene.\u201d\u00a0 Ruch said, \u201cThe three of us just fell into playing something instrumental.\u00a0 It just sounded so good.\u00a0 Both Joe and Corey are strong players and are so easy to work with and such old and dear friends that it made me wonder if just the three of us could do something that would sound \u2018complete\u2019.\u00a0 I texted everyone the next day and proposed the idea.\u201d\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0That was three years ago.\u00a0 They began jamming more or less just for the fun of it but soon segued into writing original material.\u00a0 Always a fan of bands in the old \u2018organ trio format\u2019 where the keyboards handle the bass line with the left hand and the right hand adds chords and top lines, the band has been going strong ever since.\u00a0 The line up, \u201cJust came from the desire to do a trio project with these two particular guys and the instruments they play are keyboards and drums,\u201d according to Ruch.\u00a0 He admits to having a fondness for organ trios headed by the legends like Jimmy Smith and Jack McDuff, names I am not yet familiar with.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0Watching some clips on their website, I found all three to be excellent musicians and their music well structured.\u00a0 Ruch is a dexterous guitar player and Kertzie has quick wrists and an impecable sense of time.\u00a0 Bellanti\u2019s dual role brings back my first memories of seeing Ray Manzarek with The Doors and thinking, \u201cHow does he do that and make it look so easy?\u201d\u00a0 When we were emailing back and forth, I mentioned Organ Fairchild\u2019s sound is similar to Massachusetts based Ron Levy (who fronts Ron Levy\u2019s Wild Kingdom) and one of my favorite B-3 players, Australian Lachy Doley (though both often perform with groups larger than an organ trio).\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0Ruch explained their game plan:\u00a0 \u201cRight from the start, I was thinking much broader than the blues-based jazz sound that tends to be associated with the classic organ trios.\u00a0 We all come from a rock background, as well as extended jamming situations, <\/span><i><span style=\"font-weight: 400;\">a la <\/span><\/i><span style=\"font-weight: 400;\">Grateful Dead, Allman Brothers, and Santana, and making danceable music was another important criteria right from the start.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Inspite of the gap in live performances caused by the you-know-what pandemic, the band was able to work on recording even when there were periods when they were wary of getting together to work in close quarters.\u00a0 <\/span><i><span style=\"font-weight: 400;\">Brewed In Buffalo<\/span><\/i><span style=\"font-weight: 400;\"> was tracked at Kertzie\u2019s home studio in Amherst and mastered by another Buffalo native, Alan Evans (of Soulive), at his Iron Wax Studios in Massachusetts.\u00a0 An album release celebration performance was held on October 22.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0With their audience spreading far and wide via streaming and air play, the band plans to tour the New York, Pennsylvania, and Ohio markets in the near future.\u00a0 Ruch is excited about the buzz the album is generating:\u00a0 \u201cWe have tremendous support locally, but we are building a fan base from scratch in each new town we play.\u00a0 And yet, the really interesting thing is, at age 56, I\u2019m more willing to do that grind than I was when I was half this age, and the same is true for the other two guys.\u00a0 We\u2019re seeing that people really need this right now, in light of everything we\u2019ve been through as a society these last two years.\u00a0 Music comforts, heals and uplifts, and audiences seem really ready for what we\u2019re offering.\u00a0 So we\u2019re really enjoying the ride and can\u2019t wait to see what comes next.\u00a0 This band has been nothing short of a rebirth for all three of us.\u201d\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0There are some great live clips posted on their website (<\/span><a href=\"http:\/\/www.organfairchild.com\"><span style=\"font-weight: 400;\">www.organfairchild.com<\/span><\/a><span style=\"font-weight: 400;\">) and on their Facebook page.\u00a0 Voted #1 out of 64 bands competing in the NYS Music 2021 March Madness event, it is a good bet this will not be the last time we hear from them.\u00a0 Perhaps we will get the opportunity to see Organ Fairchild come our way when the Porcupine Mountain Music Festival is revived in August of 2022.\u00a0 We have been able to book bands from as far away as the Carolinas, California, Colorado, Detroit, Milwaukee, and overseas, so never say never.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0I really enjoyed hearing from Dave about their album.\u00a0 I mentioned my drumming background so he has made it a point to single out (good naturedly) the contributions his drummer, Kertzie, makes to Organ Fairchild.\u00a0 I liked their groove immediately and Ruch\u2019s guitar playing is a perfect match for this type of trio format.\u00a0 Bellanti\u2019s work on the Hammond organ brings me back to some of the best musical moments I have experienced since my earliest days as a gigging drummer.\u00a0 Perhaps I owe my fascination with keys to my own lackluster paino studies when I was eight and nine years old.\u00a0 My folks bartered piano lessons for my older sister when my dad built a fireplace for our up the street neighbors.\u00a0 Mrs. Bowers happened to teach piano but when Barb didn\u2019t stick with it, I became the beneficiary of this brick for keys deal.\u00a0 I did okay but did not progress well when it became apparent that reading music was not one of my skills.\u00a0 Once a tune had been plunked through, I could replicate it without exactly following the music so my score reading skills didn\u2019t progress.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0The background helped me a lot when drum lessons entered the picture in fifth grade.\u00a0 Piano was laid to rest until my freshman year in college.\u00a0 My first introduction to the sound of a Hammond Organ came the summer before my senior year in high school.\u00a0 We spent the summer working up enough songs to start playing actual paying gigs as a guitar \/ bass \/ drum trio called The Twig.\u00a0 Near the end of July, my next door neighbor dropped by with a couple of his students from the Northern Michigan University band program.\u00a0 My neighbor was a drum instructor and the guys who came with him had a combo (The Larry Henry Trio, but they rarely played as a trio) in need of a drummer for a wedding reception the next weekend.\u00a0 Once assured I could play a polka beat (no wedding reception can happen without at least a couple of polkas), they told me to be at the Holiday Inn by 7 PM Saturday.\u00a0 It was a fun introduction to getting paid to play.\u00a0 That night they had a small keyboard, bass, guitar, trombone, and me in the line up, but not a Hammond organ.\u00a0 Once the horn player told me I nailed <\/span><i><span style=\"font-weight: 400;\">Spinning Wheel<\/span><\/i><span style=\"font-weight: 400;\"> by BS&amp;T, I relaxed and had fun.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0The next week, the same neighbor called and said, \u201cRex Bignall is playing at the Diamond Club and needs a drummer for eight nights in August.\u00a0 He plays a Hammond Organ and his drummer quit in a huff about something.\u00a0 I told him you would be there Friday night and you would be fine.\u00a0 He will pay you forty bucks a weekend.\u201d\u00a0 I showed up, met Rex at the bar and then proceded to set up on the bandstand without ever hearing him play a note.\u00a0 The first night, he would introduce a song, tell me what the time signature was. and count it off with me gamely following along.\u00a0 By the second night, I could recognize what we were going to play just from the titles so I brushed and soft sticked my way through eight nights listening to Rex coax some amazing sounds from his Hammond B-3.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0It was fun and Rex was an interesting fellow.\u00a0 When he found out I was 17, he said, \u201cWhen the guy from NMU said you were a senior, I thought he meant in college.\u00a0 Whatever happens, do NOT tell the club owner how old you are and for God\u2019s sake, do not order anything but pop!\u201d On another night, he told me, \u201cHey, the owner told me to tell you not to wear black anymore &#8211; it is too depressing,\u201d after I had performed with my black slacks, black turtleneck and maroon sport coat (which I thought was kind of a classic cocktail lounge musician look).\u00a0 The second weekend, Rex showed me a 24 inch Zildian cymbal on a stand and asked if I would be willing to take it in place of one night\u2019s pay.\u00a0 He had purchased it for his drummer and said, \u201cI am not giving back to him, so if you want it . . .\u201d at which point I said yes, yes, and yes!\u00a0 The going rate for a 24 inch Zildjian Cymbal these days is nearly $500 and back then they were three times my nightly $20 pay.\u00a0 It sounded so good compared to my \u2018almost like a trash can lids\u2019 cheap cymbals, I ended up buying a new16 inch Zildjian crash to go with it.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0It wasn\u2019t rock and roll, but it was a paying gig which The Twig used in part to finance our new PA system.\u00a0 We jokingly refered to the joint as \u2018Menopause Manor\u2019 in reference to the age of the patrons, but it was good training.\u00a0 It was the only drumming job I ever took where I didn\u2019t even break a sweat.\u00a0 Rex got a big smile on his face when I performed my \u2018drum solo\u2019 during a song called <\/span><i><span style=\"font-weight: 400;\">Patricia<\/span><\/i><span style=\"font-weight: 400;\">;\u00a0 it consisted of four bass drum beats in the pause between the verse and chorus.\u00a0 It may not have been my kind of music, but Rex made the B-3 sing and that stayed with me.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0After making the concious decesion to not jump back into a band when my high school band broke up after graduation, I found a used organ and began to reaquaint myself with reading music.\u00a0 It was still slow going for me, but it did improve my ability to work out songs for my next band.\u00a0 The note and chord recognition also helped me with my guitar playing.\u00a0 When I joined an established group (called Cloudy and Cool, soon to be renamed Knockdown) at the beginning of my sophomore year, they had a better version of the reedy sounding organ I had been tinkering on.\u00a0 The other three guys in Knockdown were all in the Air Force stationed at K.I. Sawyer AFB so when the original keyboard player got transfered to Thule, Greenland, we went through a couple of fill ins while searching for a permanent replacement.\u00a0 We auditioned a new guy named Rich in a dank basement where he had been working with a band that never got off the ground.\u00a0 He accepted our offer on one condition:\u00a0 Could we put his Hammond B-3 in the back of my truck and bring it to my folks house before his other band found out he quit?\u00a0 Done and done.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0Rich was also in the Air Force so between gigs, the band equipment lived in our basement.\u00a0 I spent the better part of the next fifteen months tinkering with the real deal &#8211; a Hammond B-3 with Leslie speaker.\u00a0 It was fun learning how to coax \u2018real\u2019 organ sounds from the beast, so I put my reedy sounding keys on the market.\u00a0 Using the time to also figure out songs to learn with the band, I knew I was on to something when my mother would call down the stairs, \u201cPlay that one again.\u201d\u00a0 The organ was so heavy we had to load it to the front of my pickup to keep the front wheels on the road.\u00a0 Six months in, Rich came down with an affliction similar to a stroke that left him partially paralized on his left side.\u00a0 He played so well one handed we kept him with us until the other guys mustered out and the band disolved.\u00a0 Rich was a big man but when he could no longer help carry equipment, I was designated the guy who had to always be toting the organ from the bottom when we went up and down stairs.\u00a0 Sure, there were more portable organs, but the Hammond sound made it worth the extra effort.\u00a0 Standing a B3 on end in the small elevator used to move food from the kitchen to the second floor dining room at the Ramada Inn was one of our most ingenious ideas\u2026.until the gig was done.\u00a0 The kitchen closed and the elevator locked up for the night, so it was back to toting all of the equipment to the lobby by the front stairs when the gig was done..<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0During this time period, all kinds of bands were performing concerts at NMU arranged by Brass Ring Productions.\u00a0 Brass Ring became very good at convincing bands playing the Detroit \/ Chicago \/\u00a0 Milwaukee circuit to come to Marquette for one-off gigs.\u00a0 With my background, the drummer was always my focus, followed closely by whom ever was playing the Hammond B-3. Two organ \/ drum duos came through town (Teegarden &amp; Van Winkle from Detroit and The Whiz Kids from Ann Arbor) and my immediate thoughts on both were, \u201cWow, wouldn\u2019t that be fun!\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0Teegarden &amp; Van Winkle landed in Detroit via Tulsa and had a minor hit with <\/span><i><span style=\"font-weight: 400;\">God, Love, and Rock and Roll <\/span><\/i><span style=\"font-weight: 400;\">in 1970.\u00a0 When they appeared in Marquette, Bob Segar opened the set as an acoustic solo act, followed by a T&amp;VW set.\u00a0 The trio topped off by the evening doing a joint set of\u00a0 originals and a lot of covers.\u00a0 Teegaden would go on to play the drums with Segar\u2019s Silver Bullet Band, recording four albums and touring in 1972-1973.\u00a0 The guitar \/ organ \/ drum format was the springboard from which Segar wrote many of the songs that would propel him to superstar levels.\u00a0 Notably, <\/span><i><span style=\"font-weight: 400;\">Turn the Page<\/span><\/i><span style=\"font-weight: 400;\"> was penned about an incident in Wisconsin (not outside of Omaha) on the same tour that brought them to NMU.\u00a0 Some people complained when Grand Funk Railroad started writing more radio friendly tunes, but the first time I heard the grinding Hammond sound on <\/span><i><span style=\"font-weight: 400;\">Foot Stompin\u2019 Music, <\/span><\/i><span style=\"font-weight: 400;\">I told anyone who would listen, \u201cOh, they are going to be bigger than ever now!\u201d\u00a0 Mark Farner is one of those rare individuals who can bounce from a Hammond organ to guitar and back again without missing a beat.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0Many thanks to Dave Ruch and company for the great music.\u00a0 Keep tuned to WOAS-FM 88.5 (or <\/span><a href=\"http:\/\/www.woas-fm.org\"><span style=\"font-weight: 400;\">www.woas-fm.org<\/span><\/a><span style=\"font-weight: 400;\">) as we will be spinning <\/span><i><span style=\"font-weight: 400;\">Brewed In Buffalo<\/span><\/i><span style=\"font-weight: 400;\"> regularly in the weeks to come.<\/span><\/p>\n<p>Top Piece Video:\u00a0 Organ Fairchild with\u00a0<em>Amateur Night at the Apollo<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"excerpt\">&nbsp; \u00a0\u00a0\u00a0\u00a0\u00a0We recently received a CD entitled Brewed In Buffalo by a guitar \/ organ \/ drum trio called Organ Fairchild.\u00a0 I am betting the title might give you a hint as to where they hail from.\u00a0 It only took a few emails (one with an\u00a0 attached teaser track) sent by guitarist Dave Ruch to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,8,6,9],"tags":[],"class_list":["post-2356","post","type-post","status-publish","format-standard","hentry","category-bands-musicians","category-from-the-vaults","category-new-music","category-woas"],"_links":{"self":[{"href":"https:\/\/www.woas-fm.org\/index.php?rest_route=\/wp\/v2\/posts\/2356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.woas-fm.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.woas-fm.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.woas-fm.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.woas-fm.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2356"}],"version-history":[{"count":3,"href":"https:\/\/www.woas-fm.org\/index.php?rest_route=\/wp\/v2\/posts\/2356\/revisions"}],"predecessor-version":[{"id":2361,"href":"https:\/\/www.woas-fm.org\/index.php?rest_route=\/wp\/v2\/posts\/2356\/revisions\/2361"}],"wp:attachment":[{"href":"https:\/\/www.woas-fm.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.woas-fm.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.woas-fm.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}